Sound design, foley and final mix for the mydays Christmas spot director's cut, playful in its timing without tipping into slapstick.

Sound design for a deliberately over-the-top director’s cut, leaning into a playful 90s commercial aesthetic. In cooperation with polaire.audio.

Music and sound design for a sensitive hero spot about family emergencies, shaped around realism, emotional weight and quiet hope.

Music and sound design for a Punto Oro product spot, shaped around tension, movement and the intensity of the game.

Sound work for a suspenseful short film, moving from quiet tension to a loud and unsettling final release.

Sound design and music for a spec ski film, bringing movement, speed and tension into the alpine visuals.

Sound design, realistic foley and final mix for an AVL project film.
Clean, grounded and built around subtle atmosphere.
Music by Lukas Hasiba. In cooperation with polaire.audio.